Smilla Witte (Maria Ehrich) always dreamed of working as a cook in her parents' excursion restaurant "Schneewittchen am See". But after the sudden death of her mother, Smilla literally fled from home ten years ago. After a long time Smilla wants to spend time in her old home again. But she can't last long at home without getting into an argument with her father Heinrich (Jürgen Tarrach). Of course, as so often, this revolves around Heinrich's new wife Regina (Andrea Sawatzki). Without further ado, Smilla stays with her friend Hedi (Hanna Plaß) earlier than planned. She lives together with her brother Victor (Jochen Schropp), his husband Lorenz (Lucas Reiber) as well as two mini pigs and two chickens on the "dwarf farm".

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University ice-sailing trainees face a hostel fire when caretaker Krenzel rescues Captain Klaus’s swapped suitcase, barring him from travel due to a stolen Hogarth print inside. X-rays reveal a hidden engraving; detectives Hübner and Lindt expose forger Sander and Krenzel. After Krenzel’s sabotage fails and both are arrested, Klaus is exonerated and rejoins his team for the international regatta.

Die Schule am See is a German television series.

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Italy-raised landscape architect Stellan Mansfeld return after years in Canada to his Swedish coastal countryside birth town for a job with local estate owner Gustaf Hagen, who plans to retire there and leave his Stockholm law firm to son Jens and his fiancée, town-girl Clara Stellingbosch. Stellan however falls in love with Clara and helps her save brat sister Natalie's bacon after eco-cahoot Mikael's illegal actions. Stellan's grandmother Maria confides his late mother's traumatic and her own secret past in a complicated affair concerning a maverick painter's work Stellan finds in the Hagen mansion.

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Snow White’s stepmother is jealous of her beauty. So great was her vanity that she kept asking her magic mirror: "Mirror, mirror, on the wall, who in this land is fairest of all?". And he replied that Snow White was a thousand times more beautiful than she was. The vain queen refuses to accept this and decides that Snow White must die.

Sound supersedes sight in Stanley Schtinter’s austere anti-fairy tale Schneewittchen, an English-language remake of João César Monteiro’s Branca de Neve (2000), made largely of an audio performance of Robert Walser’s titular play set to a black screen, occasionally relieved by shots of passing clouds. In Walser’s radical reworking of the Grimm fable, a resurrected Snow White reconciles with the Evil Queen, denying any foul play and even seeking forgiveness for provoking her jealousy.

Hated by her jealous and bloodthirsty stepmother, Snow White flees a murder attempt and seeks shelter in the woods with seven kindly dwarfs. Feeling she is safe from harm, Snow White welcomes the disguised queen into her home...with fatal consequences.